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This afternoon, James and I headed to the Met to check out the fantastic “Model As Muse” exhibit. Among the photography of Twiggy and Turlington by the likes of Bailey, Avedon, and Meisel were the portraits of Marisa Berenson, supposedly a sixties counterpoint to the leggy waifish doe-eyed likes of models like Penelope Tree. She looked so familiar and I couldn’t place her until… I realized she’s the girl from Kubric’s 1975 costume drama Barry Lyndon. Let’s get acquainted, shall we?

I would wear this and pretend it doesn’t look like a shower cap.

Very “I Dream of Jeanie” although it should be Kenneth Anger’s “Lucifer Rising.”

Please note this insane hairdo. It’s like Rapunzel meets Cousin It. Or a personal head-broom.


This seems more Cabaret-era

I think I have this dress

I need these eyelashes. How long would that take….

Oh, yeah, sorry. Back to the task at hand. Screen shots of Barry Lyndon.
Fans of Marie Antoinette, if they are prepared to sit through a longggg film will love the costume design, cinematography (in particular the wide angle shots, the natural lighting) and the epic rags to riches to rags narrative. Gotta say though, love Ryan O’Neil a lot more in Paper Moon. But that just might be me.

She looks a little weary here, but it’s tiring wearing all those hats.

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The Sundance Channel recently aired “Marc Jacobs & Louis Vuitton,” a documentary I finally watched tonight rather than brave our first snow of the season. The film is awesome, with an upbeat and free spirited tone and, thankfully, it doesn’t take itself too seriously. Jump cuts, whimsical camera editing, and silly video effects infuse a doc I found both inspiring and informative; especially since I worked alongside a fashion designer for several years.

The director, Loïc Prigent, clearly enjoys exploring Jacob’s creative process, both house’s production challenges, and the insane pandemonium in the months, days, and finally minutes counting down to two fantastic Spring 2007 collections. The film showcases Jacobs’ numerous references and highlights how they are ultimately interpreted and remixed as well as featuring interviews with artistic collaborators and inspiring friends like Elizabeth Peyton, Sophia Coppola, Murakami and Yayoi Kusama.

Order the doc on Amazon

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A couple of months ago I was contacted by Astral Media, a Canadian television company. They asked for temporary rights to my “Psych Out” image for some VRAK.tv on-air spots. (VRAK is akin to MTV in Montreal / French speaking parts of Canada).

Low and behold, there are several spots and more to come showing teens (with braces!) break dancing in front of my graphic. Shame they altered the lemon yellow to this dull asparagus color. Hmph.

click to see one of the spots (this one is 15 seconds)


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Watched
William Klein’s “Who Are You, Polly Magoo” last night. There are plenty of scenes with interesting shots, memorable fashion moments inspired by Paco Rabane, and lots of cute girls in mini dresses. But all and all the film is a bit of a bore.


Some scenes, in particular the one involving “chimney sweeps,” plenty of ripped newspaper, and a mussed up Diana Vreeland inspired character, reminded me of the finale of Chytilova’s “Daisies.” And the whole premise and I suppose point of the film (a satricial and negative view of the “empty” fashion industry) reminded me of Chytilova’s first film about the modeling world entitled “Ceiling.”

Polly, our Brooklyn-born French expat channeling Twiggy, is cute, yes. But it’s hard to sit still for anything this long with all the bad dialog and boring subplots even with Peggy Moffit cameos and epic eyeliner. BUT! I’m posting some stills nonetheless.

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After Andrew and I finished up the Men Women and Children record for “Hot Hot Volcano,” I am Sound suggested I pitch a music video for UK band The Black Ghosts. The single was “Repetition” and it featured Damon Albarn.

The budget was decent, but for the life of me, I couldn’t find anyone who knew motion graphics and was free to direct the project. So I asked a friend to show me a sample treatment. And then proceeded to write my own dark and psychedelic Alice in Wonderland inspired pitch where I played both illustrator and director.

Didn’t end up getting the gig, but I think my treatment was good. Now I can only hope that down the line I can take this idea and make it come to life for a different project.

click below to see the pitch


Read the rest of this entry »

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My youngest sister, Julie, and I recently collaborated on a short film inspired by Namuth’s film “Jackson Pollock ‘51.” Of course, ours is far more childlike. Especially because it features whimsical imagery informing my work and my awkward hand drawing and painting to the tune of St. Vincent and Vampire Weekend.

You may also notice that the finished painting recently became the basis for my first Vans sneaker.

(click the stills to see the quicktime file)

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